In short
- Four paintings by Pierre-Auguste Renoir, worth millions of euros, were stolen from the Renoir Museum in Cagnes-sur-Mer, France, in a raid that lasted about five minutes.
- Two of the stolen Renoir paintings were recovered after the thieves dropped them in the museum garden.
- Europol says the number of museum theft cases reported to it across Europe began to increase about two years ago.
- Jewellery worth €88m (£75m) taken from the Louvre in Paris last October has still not been recovered.
- Data provided to the BBC by the Association for Research into Crimes against Art shows recorded museum thefts in France spiked in 2024 and rose slightly again in 2025.
Four paintings by Pierre-Auguste Renoir, together worth millions of euros, were stolen from the Renoir Museum in Cagnes-sur-Mer, in southern France, in a raid that lasted about five minutes. Two of the works were recovered shortly afterwards, after the thieves dropped them in the museum garden. Detectives are still searching for the remaining paintings.
Why are museum thefts in Europe becoming bolder?
Europol, the European policing agency, has warned that museum thefts across Europe are growing increasingly brazen, and says the number of cases reported to it began to rise about two years ago. Its recent report says both the methods and the targets of thefts are changing, with a rise in more forceful tactics and a focus on high-value items such as precious metals and gemstones.
The art detective Arthur Brand, who predicted before the Renoir theft that more high-profile burglaries were likely, said the October robbery at the Louvre in Paris had encouraged imitators. “We will see more of this,” Brand said, “because if you are able to hit the Louvre, thieves all around the world are watching that.” Ibrahim Bulut, a museum security expert from a Belgian security consulting firm, also believes many of the thefts that followed the Louvre burglary are copycats.
What was taken in the Louvre robbery and what followed?
The Louvre burglary in Paris last October took jewellery worth €88m (£75m), which has still not been recovered nearly a year on. Within hours of that raid, thieves stole coins from a smaller museum in France, the Denis Diderot Maison des Lumières in Langres. Since then, criminals have stolen a diamond necklace in Vienna, Bronze Age artefacts in Spain and art from two Italian museums.
How many museum thefts have been recorded?
Data provided to the BBC by the Association for Research into Crimes against Art shows that recorded museum thefts in France spiked in 2024 and rose again slightly in 2025. Numbers rise and fall over time, however, and more thefts were recorded in 2015 than a decade later. ARCA says the recent cases show “a repeated preference for small, portable, immediately accessible objects and for attacks designed to be completed in minutes”.
Others point to the colonial history behind many treasures held in European museums; art historians have noted that the French crown jewels taken from the Louvre contained emeralds, diamonds, sapphires and pearls that are not native to France. Questions over the origins of collections have also driven repatriation cases, including the return of 39 Naga ancestral remains by Oxford’s Pitt Rivers Museum.
Why are museums easier targets than banks?
Brand says museums are vulnerable and easy to burgle compared with well-secured jewellery shops and banks, which now hold less cash. Museum directors historically “never have enough money for security” or prefer to spend it on the next exhibition, he adds, and museums are often housed in old buildings that are difficult to protect. Théo Caviezel, mayor of Langres, where the Maison des Lumières was burgled hours after the Louvre raid, said: “We therefore have to reconcile modern security requirements with the need to preserve historic buildings and comply with France’s heritage regulations.” Kumar Sokka, chief executive of Acre Security, which works with museums in Europe, says museums are open public spaces with less access control, so perpetrators can come in as visitors.
How are the thieves getting in?
Europol’s report says heists used to depend on deception but burglaries are now becoming increasingly violent, with offenders using sledgehammers, axes, crowbars and in some cases explosives. In the Louvre, thieves used a mechanical lift, cut through a window with power tools and threatened guards; in the Renoir case, they used an electric knife to cut through a fence and sawed through the structures holding the frames. Lilli Hollein, director of the Museum of Applied Arts (MAK) in Vienna, which was burgled last month, said an armed incident during opening hours makes keeping visitors and staff safe the immediate priority.
What is being stolen now?
Paintings are still taken but are harder to sell, so around 10 years ago thieves began shifting to goods that are easier to get rid of, Brand says.
Frequently asked questions
How many paintings were stolen from the Renoir Museum?
Four paintings by Pierre-Auguste Renoir were stolen from the Renoir Museum in Cagnes-sur-Mer, France. Two of them were recovered after the thieves dropped them in the museum garden.
Where is the Renoir Museum?
The Renoir Museum is in Cagnes-sur-Mer, in southern France. The raid there lasted about five minutes.
What has Europol said about museum thefts in Europe?
Europol says the number of museum theft cases reported to it across Europe began to increase about two years ago, and that both the methods and the targets of thefts are changing, with more forceful tactics and a focus on precious metals and gemstones.
Why are museums targeted by thieves?
The art detective Arthur Brand says museums are easy to burgle compared with well-secured jewellery shops and banks, often lack money for security and are housed in old buildings that are difficult to protect.
With reporting from BBC News.
Stock image, not from the events described. Ancient Egyptian Amulets of Sows, housed at the Egyptian Gallery, Birmingham Museum and Art Gallery — SpeakingArch / Wikimedia Commons (CC BY-SA 4.0)